Showing posts with label Avraham Azrieli. Show all posts
Showing posts with label Avraham Azrieli. Show all posts

Tuesday, April 7, 2020

The Supreme Court’s Verbose Silence on Religious Speech by Avraham Azrieli

Most Americans aspire for a Supreme Court built as a hallowed tower of legal wisdom, fairness, and neutrality. This fading construct, however, has been buffeted in recent decades by jarring public spectacles, as each new appointee suffered a grueling, vicious, and occasionally seedy confirmation process. Unlike the Congress and the presidency, the public still approves of the Supreme Court, though by a declining majority, while disapproval ratings have surpassed 40%, almost doubling in the last two decades. Most ominously for the Court’s future standing, opinion polls consistently show that a majority believes the justices decide cases based on their personal political views, rather than the law. Ironically, on April 6, 2020, the Court reinforced this negative view by publishing a needless statement in a case it declined to hear.
Other than dedicated Supreme Court observers, few Americans realize that the Supreme Court hears only 4% of the cases submitted for its review. The losing parties in appeals before one of the US Circuit Courts (or top state courts) may request a review by the Supreme Court by filing a “Petition for Writ of Certiorari.” The justices review those petitions and vote. If four or more justices vote yes, the case is accepted for review (written briefs, oral arguments, and a decision). If not, the decision of the appeals court remains standing, but that does not mean that the Court agrees with that decision. Because the Court is usually silent on its reasons for declining to hear cases, legal scholars can speculate on what could have happened if the Court had accepted the case for argument. That silence, however, was interrupted in a recent case, allowing a fascinating-yet-troubling glimpse behind the Court’s curtain.
ARCHDIOCESE OF WASHINGTON v. WASHINGTON METROPOLITAN AREA TRANSIT AUTHORITY involves relatively simple facts (as described by the appeals court): “Like other transit authorities, it [the WMATA] sells commercial advertising space to defray the costs of its services, and for years it had accepted ads on all types of subjects. In 2015 WMATA closed its advertising space to issue-oriented ads, including political, religious, and advocacy ads. This decision followed extended complaints from riders, community groups, business interests, and its employees, resulting in regional and federal concerns about the safety and security of its transportation services, vandalism of its property, and a time-intensive administrative burden reviewing proposed ads and responding to complaints about ads. … Based on experience that its approach to advertising was interfering with its ability to provide safe and reliable transportation service, WMATA adopted Guidelines Governing Commercial Advertising, employing broad subject-matter prohibitions in order to maintain viewpoint neutrality and avoid ad hoc bureaucratic determinations about which ads are benign and which are not. Guideline 12 states: “Advertisements that promote or oppose any religion, religious practice or belief are prohibited.” The Archdiocese of Washington contends that Guideline 12 violates the First Amendment and the Religious Freedom Restoration Act (“RFRA”) and seeks a mandatory preliminary injunction that would require WMATA to place an avowedly religious ad on the exteriors of its buses. … The “Find the Perfect Gift” ad that the Archdiocese seeks to have WMATA place on the exterior of its buses depicts a starry night and the silhouettes of three shepherds and sheep on a hill facing a bright shining star high in the sky, along with the words “Find the Perfect Gift.” The ad includes a web address and a social media hashtag. Its website, although still under construction when the ad was submitted to WMATA, “contained substantial content promoting the Catholic Church,” including “a link to ‘Parish Resources,’ . . . a way to ‘Order Holy Cards,’ and . . . religious videos and ‘daily reflections’ of a religious nature.”
The Archdiocese lost at the federal trial and appeals levels and filed a petition for review by the Supreme Court. However, because Justice Kavanaugh had been a member of the Circuit Court panel hearing the appeal (before he was elevated to the Supreme Court), he had to recuse himself from voting on the petition.
Unlike most Certiorari denials, which are silent on reasoning, in this case the Court published a “Statement of JUSTICE GORSUCH, with whom JUSTICE THOMAS joins, respecting the denial of certiorari.” The Statement goes on for several pages setting forth the reasoning that the justices would have used to strike down the WMATA’s policy disallowing religious advertising on its trains and stations, but the Statement’s beginning delivers a thunderous revelation:
“The petition for a writ of certiorari is denied. JUSTICE KAVANAUGH took no part in the consideration or decision of this petition. … Because the full Court is unable to hear this case, it makes a poor candidate for our review. But for that complication, however, our intervention and a reversal would be warranted …”
In other words, if only Justice Kavanaugh didn’t have to recuse himself, the Conservative majority of the Supreme Court would have accepted the case and decided for the Catholic Archdiocese – no matter what the parties would have written in their briefs, no matter what dozens of Amicus briefs by interested parties would have said, no matter what the nation’s best lawyers would have presented to the Court in oral arguments – all those monumental, costly, good-faith efforts would have made no difference to the Court, because the result was preordained.
The gradual descent of Supreme Court decisions into political predictability – a widening polarization that has eroded public trust in the other two branches of our government – would only accelerate by unnecessary statements that imply eager loyalty to a political camp. Perhaps it was no coincidence that Ecclesiastes chose to string together his warnings of polarization and verbosity: “A time to tear apart and a time to sew together; A time to be silent and a time to speak.”
Avraham Azrieli  Columbia, Maryland, April 7, 2020  www.AzrieliBooks.com 

Saturday, May 9, 2015

Book Review: "Of Fleas and Fleadom, A Tale of Two Vermin" by Lewis Goldstein (2014)

"Of Fleas and Fleadom, A Tale of Two Vermin" by Lewis Goldstein (Author), Arianna Grinager (Illustrator)
Reviewed by Avraham Azrieli
Avraham Azrieli writes novels and screenplays. His website is: www.AzrieliBooks.com

This intricate story, which is categorized by its creators as a “Graphic Epic Poem,” combines prose and illustrations to seamlessly deliver a truly touching tale of adventure, suspense and humor.

Exploring humanlike notions of quality of life and disruption, personal security and risk, skin-of-your-teeth survival and disaster, intimate love and faith, it tells the story of Finnigan T. Flea as he travels through a life filled with all of the above—and more. The title of Chapter Four defines it best: “Paradise Gained, Paradise Lost.” And then gained and lost again. And again.

Telling a story from the point of view of an animal is not a novel concept, but doing it well is a great achievement. Besides, featuring a flea (in an epic story, no less) is truly creative—and often uproaringly funny. Moreover, reaching for an authentic voice is a high bar, which this unique book achieves with flying colors.

The story is told in prose arranged like a string of poems, intertwined with magnificent illustrations that compound the drama. In fact, the harrowing events are communicated to the reader with a lively mix of words and images that merge to communicate as one. The story is nicely divided into scenes and chapters, its poetic stride accomplished without diminishing from the steady pace of narrative suspense and the characters’ emotional highs and lows.

In essence, the hero wonders about the mother of all existential questions: “As he settled on his new found hide, he wondered about freedom, about how to decide what that really was for a flea.” And, as each of us, human readers, leap from rock to rock down the treacherous river of our own life, don’t we often ask the same question?

To sum it all up, this original, creative work is unusually clever, really funny and emotionally stirring. Highly recommended!

* This review was originally published at The Columbia Review:  www.TheColumbiaReview.com

Avraham Azrieli is the author of ten published books, most recently “Deborah Rising” (HarperCollins 2016) a novel portraying the dramatic rise of the first woman to lead a nation in human history. www.AzrieliBooks.com

Book Review: “In Season’s Dream” by R. Tirrell Leonard Jr. (2015)

IN SEASON'S DREAM (2015)
REVIEWED BY: AVRAHAM AZRIELI
Avraham Azrieli writes novels and screenplays. www.AzrieliBooks.com

“In Season’s Dream” by R. Tirrell Leonard Jr. (2015) is a second volume of poetry from Mr. Leonard. It exceeds even the high expectations generated by his excellent first volume, “In The Murmuring Trees” (2012).

As the title implies, this volume of poems embraces the four seasons of the year as its general structure, dividing the poems into four sections named after the seasons. But this work goes far beyond a calendar breakdown of weather patterns or human moods. Take, for instance, the launching “Spring” piece of the book, “On a Misty Spring Morn,” which opens with a first line that could be coming straight out of fall, or even winter: “I wander out in fog and rain…”

To the reader thus expecting more surprises, your expectations will be met with gusto.

Mr. Leonard manages to take the seemingly mundane subject of weather and seasons, mix it with unique and original observations, and produce a work of great depth, originality, and pleasant surprises. The poems are infused with the magical scenery that typifies the Northeast, with its contrasting sea and rocky coasts, inland lushness and stretches of desolation, and the main theme—the moody weather that regularly makes a total misfit to the concurrent season.

Particularly powerful are Mr. Leonard’s poems that straddle the line between reality and fantasy, between internal emotions and external environment, between joy and sadness—as well as between life and death. An excellent example is “Numbered Are the Hours” that starts with a lovely and familiar nature image and goes to the other end—literally: “I walk the reach, a long paved path; Between the swamps and pond; And hear the calls of geese and ducks; Beyond the veils of fog.” Yet, it goes on to “And one day, I’ll ride his ancient boat; To float beyond the veil, And touch the isle’s beach out there; Where none has ever returned.”

In summary, “In Season’s Dream” by R. Tirrell Leonard Jr” is a rich collection of poems with a powerful theme, deep insight, and vibrant imagery. It is both enjoyable and intriguing, striking a perfect balance between tangible and elusive threads that would no doubt instigate further reflections in the reader’s mind. Excellent!

* This review was originally published at The Columbia Review:  www.TheColumbiaReview.com

Avraham Azrieli is the author of ten published books, most recently “Deborah Rising” (HarperCollins 2016) a novel portraying the dramatic rise of the first woman to lead a nation in human history. www.AzrieliBooks.com